We’re an evolving project of discovery.

Our ideas, our music, our web pages, all in motion.

We’re history lovers, mostly storytellers.

In this series of Song Stories we’re taking you behind the scenes of each song.

We’re starting with Chapter 1 – Old Bones Odyssey and our first song on the album Repair With Gold.

Coming soon: we’re creating a podcast that dives deeper into the stories and history behind our songs.

Repair with Gold Videos Below

…be a mender of a broken world

“Repair With Gold” is so many years in the making. This song holds the ideas for all our work.

A few years ago at least, Naomi Fein, Ethan’s sister, said “Your Old Bones project makes me think of Tikkun Olam.” I’d never heard of it so I looked it up. On my first search I found that it was a Hebrew phrase and one definition was “world repair. A jewish concept defined by acts of kindness performed to perfect or repair the world.” I was captured by that idea. The more I read, the more all these ancient ideas came spilling out. Then I came across this line ”To live from the place in you that has the greatest truth.” That felt like a direct challenge.

Over many years of reading and these thoughts rumbling around in my brain, I decided to write “Repair With Gold” with Ethan. I think Naomi was speaking of it, in regards to our work, as a secular form of social justice. The concept of healing the world. I was caught off guard by what she said. It was a straight arrow into the heart of everything I was thinking about all this time. The more I read about Tikkun Olam, the more I loved it.  And somewhere along the line, not sure when or how, I started wandering down the philosophical corridors of Kintsugi and Wabi-sabi.

Kintsugi is the Japanese art of repairing broken pottery by mending the cracks with seams of lacquer and precious metal.  As a philosophy, what’s broken is the story, it’s the beauty of the object, of the person, of the life.  Something to shine a light on, not to hide or be ashamed of or disguise.

“To repair it the Kintsugi way is to continue its tale. An eastern philosophy of living that finds beauty in the damaged or imperfect. Not only is there no attempt to hide the damage, but the repair is literally illuminated.” 

At first I blended the two ideas of Tikkun Olam and Kintsugi in my own mind, they wove in and out of each other. It wasn’t till I started writing “Repair With Gold” that I realized I had rolled them into one idea. As I wrote, I separated them out and my thinking got clearer, thankfully.

Along the way I heard a compelling interview by Krista Tippett, from On Being, with Dr. Rachel Naomi Remen*, the author of Kitchen Table Wisdom. It was Dr. Remen’s children’s book The Birthday Of The World that helped me crystallize what I wanted to say. (Links below)

I hope when people listen to this song they feel that anything is possible. That the answers lie within us. We can make the choice, we can choose every day to be menders of a broken world.

an interview with ellen

Repair With Gold

This is the transcript, watch the full video above.

“…shine a light, shine a light on the broken people, shine a light, shine a light in the broken world…”

Q: Why did you write Repair With Gold

Well, Repair With Gold, our song, that we’re in the studio here at Samurai Recording Studios in Queens, for two sessions, recording, started with Naomi Fein, Ethan’s sister, who told me quite a while ago –  I don’t know if it was five years ago, it could have been longer, I’m not sure, but I feel like it was around four to five or six years ago – that the work that I was creating inside the research part of Old Bones and the music that I was making with her brother Ethan, reminded her of Tikkun Olam.

And I never heard of Tikkun Olam, I got to be straight up, and didn’t have any idea. So, I went home to look it up, and the first definition that I stumbled upon was “world repair”. And I was really flattered, because actually, I do have the crazy kind of hidden – I don’t know how hidden it is anymore, goal – it’s kind of like out of a James Bond movie, whatever, Spector or something – or my secret mission, is to save humanity with this project. 

And so when she kind of came up with this ancient phrase and found it apt for what we were doing, I felt like, okay, at least I’m on the road if somebody else can identify it. 

So that’s it. Repair With Gold is Tikkun Olam, “world repair”. And then when I was researching Tikkun Olam, I stumbled onto the philosophy of Kintsugi. And so I blended these two philosophies into the lyrics of Repair With Gold.

Plus, I then had heard a wonderful interview on On Being and a wonderful author, and I’ll talk more about that later, The Birthday of the World, a children’s book that I found that had to and all of this resonates with Tikkun Olam. And then, other elements with Kintsugi. 

So, yes, repair the world. That’s what we’re trying to do. And this song is our anthem. 

Q: How do you want listeners to feel when hearing Repair With Gold

When people are listening to this tune, I really hope that they’re going to feel hopeful. 

I feel like there’s so many, the world is just in such a weird, weird place, and a lot of it’s not good. And I think that we can all feel paralyzed or excessively depressed or terribly sad or whatever the heck it is. The way you experience so many things happening simultaneously in a world where you actually get to hear about them all. I mean, there was a time when you only knew about the suffering of those immediately around you, and then you’d hear about world events maybe weeks later. Okay, that was a couple of hundred years ago, but still, I think we were more suited to that than we are to this kind of constant alarm, state of heightened vigilance. 

And  that kind of can make one feel that you have absolutely no efficacy. That even the smallest thing you do will have no effect and the largest thing you do will make no difference. 

And I’m hoping this song makes people feel like every single thing they do will matter. Not just in the end of things, but will matter in the moment that they do them and that we’re all engaged, most of us, I think most people are engaged in some form of world repair every day through the kindness towards those they love, towards strangers, in creating the work and the art that they do. 

We’re all involved, and this is kind of just a more focused sense of feeling powerful and a part of the change that needs to happen for us to get to a saner or more humane world.

Q: What are the lines of lyric that you think are the most powerful? Why?

You know, you should never tell a lyricist to talk about their favorite lyrics. Probably not a good idea because I actually like that. Of course I like them all. I mean, I love the image of seams of gold that comes from the Kintsugi philosophy of that when a bowl is broken instead of well, Kintsugi is much more complex than this, but the metaphor for it is instead of throwing it out, that you mend the cracks with gold. 

And that’s why the song is Repair With Gold. So I guess I start with the title. I love the idea of that. And I love the image of seams of gold. I like that it reoccurs throughout the song. And I love

Shine a light, 

Shine a light on the broken people, 

Shine a light, 

Shine a light on the broken world” 

And then, I don’t know. 

So those are some of the lines I love the most. “Shine a light on what’s forgotten,” because I think part of America’s extraordinary amnesia, willful amnesia about the struggles of all the different people, but particularly African Americans and Native Americans, but honestly, pretty much every group that’s continuing to suffer in an out portioned way, including women and children. 

Yeah. I think the idea that if we shine a light on their sorrows and troubles, that it doesn’t take anything away from us, it won’t hurt us to look closely at what’s wrong with our world. We’re strong enough, we’re not going to break because. 

We look inside ourselves and say, maybe we need a course correction. Maybe in my own personal life I can improve. And then you can look at the country and say, maybe we need some major improvement and that we’re only a little bit down the road in our democratic experiment, which looks more fragile by the minute. 

So, yeah, those are the different lyrics I like. But I guess my favorite of all would be,

“Be a Mender, 

Take the broken pieces and change the world,

Be a mender of a broken world.” 

That’s a call to action. 

That every single person can be involved and engaged in the change. 

And that’s why the song is Repair with Gold. So I guess I start with the title. I love the idea of that. And I love the image of seams of gold. I like that it reoccurs throughout the song. And I love shine a light, shine a light on the broken people shine a light, shine a light on the broken world and then I don’t know. 

So those are some of the lines I love the most. Shine a light on what’s forgotten. Because I think part of America’s extraordinary amnesia willful amnesia about the struggles of all the different people, but particularly African Americans and Native Americans, but honestly, pretty much every group that’s continuing to suffer in an out portioned way, including women and children. 

Yeah. I think the idea that if we shine a light on their sorrows and troubles, that it doesn’t take anything away from us, it won’t hurt us to look closely at what’s wrong with our world. We’re strong enough, we’re not going to break because. 

We look inside ourselves and say, maybe we need a course correction. Maybe in my own personal life I can improve. And then you can look at the country and say, maybe we need some major improvement and that we’re only a little bit down the road in our democratic experiment, which looks more fragile by the minute. 

So, yeah, those are the different lyrics I like. But I guess my favorite of all would be Be a Mender, Take the broken pieces and change the world, Be a mender of a broken world. That’s a call to action. 

That every single person can be involved and engaged in the change. 

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Ellen C Kaye

Ellen C Kaye

Singer/songwriter, producer, podcast maker, mom, born and bred in NYC. Night Club singer at heart.

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Repair With Gold

Lyrics by Ellen C Kaye    |     Music by Ethan Fein

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Repair With Gold
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Repair With Gold

…what’s broken is the story, it’s the beauty of the object,

of the person, of the life…

Click here to read more…

Ellen C Kaye – Lead Vocal
Ethan Fein – Guitar
Diane Monroe – Violin
Andrew Drelles – Bass Clarinet
Koa Ho – Upright Bass
Perry Cavari – Drums
Jackie Presti – Backing Vocals
Soara-Joye Ross – Backing Vocals

Our world is hidden
We are hidden to ourselves 
To each other
But the sparks of light
Lie in wait
Inside us all 

Seams of gold 
A lovely porcelain bowl 
Made of earth and dust  
Passed down from hand to hand 
From life to life
Home to home 
Seams of gold 
In a window sill 
Lit by the sun 
A breeze blows by
Generations come and go

Seams of gold 
Winds blow in from the cold 
Made of smoke and dust 
Passed down from hand to hand 
From life to life
Heart to heart  
Seams of gold 
In a window sill 
Broken in two 
The years sweep by 
Generations come and go

Veins of gold fill the cracks of what’s been shattered 
Veins of gold are the scars of who we are 
Only hearts can see what’s hidden 
Only hearts can see the light 
Shine a light 
Shine a light on the broken pieces 
Shine a light 
Shine a light on the hidden scars 
Shine a light
Shine a light on what’s forgotten
Take the broken pieces
And change the world 

Seams of gold
A spirit flows through the bowl
Made of flames and dust  
Passed down from hand to hand 
From life to life 
Home to home 
Seams of gold 
In a window sill 
Lit by the moon
The world blows by
Generations come and go 

Seams of gold 
More precious now than before
Made of shards and dust 
Passed down from hand to hand 
From life to life
Heart to heart 
Seams of gold 
In a window sill 
Lit by the stars 
A dream flies by
Generations come and go

Sparks of light  
Burning up inside us 
Hiding deep 
Way beyond our sight 
Only hearts can see what’s hidden 
Only hearts can see the light
Shine a light 
Shine a light on the broken pieces 
Shine a light
Shine a light on the hidden scars
Shine a light 
Shine a light on what’s forgotten 
Take the broken pieces 
And change the world 

Seams of gold
Tell the story you know 
Made of fire and light
Passed down from hand to hand 
From life to life 
Home to home 
Seams of gold 
In a window sill 
Lit by your soul
Our lives blaze by 
Generations come and go 

Seams of gold 
Seams of gold or our broken peoples 
Seams of gold 
Seams of gold for our broken world 
Seams of gold from the light that shines within us 
Seams of gold will repair the world 
Shine a light 
Shine a light on the broken peoples
Shine a light 
Shine a light on the broken world 
Shine a light
Shine a light on the broken pieces
Your seams of gold will mend the world 
Find the light 
Find the light in the broken pieces 
Find the light 
Find the light that will change the world 
Find the light 
Find the light that lies within you 
Take the broken pieces 
And change the world 
Be a mender
Of a broken world 

Lyrics – Ellen C Kaye
Music – Ethan Fein
Producers – Ellen C Kaye, Ethan Fein, Bill Moss, Alan Joseph
Recording engineer – Bill Moss
Copyright (c) 2023

© 2023 Ellen C Kaye and Ethan Fein. All rights reserved.

A Repair with Gold Production
OLD BONES ODYSSEY

THE SONG

Lyrics by Ellen C Kaye    |     Music by Ethan Fein

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Old Bones Odyssey
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Old Bones Odyssey

…whose bones do we care about and whose bones do we abandon?

Click here to read more…

Ellen C Kaye – Lead Vocal
Ethan Fein – Guitar
Koa Ho – Electric bass
Zach Mullings – Drums
Jackie Presti – Backup Vocals
Soara-Joye Ross – Backup Vocals

Old bones taking me back 
Old worlds taking me back 
Resting on the souls of long ago 

Old dreams taking me back
Old loves taking me back
Carrying us on wings of days long past 

Trees with leaves 
for dreams
A dance that never ends
That only you can know

From the roots to the sky
Sylvan slippers, rings of time
In the gloaming of this world
Back where memories lie

I keep longing for

Old bones taking me back
Old worlds taking me back 
Resting on the souls of long ago

 

New roads leading me home
New hearts leading me home
Setting sail for ancient lands unknown

Trees with leaves 
for dreams
A dance that never ends
That only you can know

From the roots to the sky
Sylvan slippers, rings of time
In the gloaming of this world
Back where memories lie

I’m just dreaming of

Old bones taking me back
Old worlds taking me back 
Resting on the souls of long ago 

New roads leading me home
New hearts leading me home
Setting sail for ancient lands unknown

Lyrics – Ellen C Kaye
Music – Ethan Fein
Producers – Ellen C Kaye, Ethan Fein, Bill Moss, Alan Joseph
Recording engineer – Bill Moss
Copyright (c) 2023

© 2023 Ellen C Kaye and Ethan Fein. All rights reserved.

A Repair with Gold Production

These Walls Are Alive

Lyrics by Ellen C Kaye   |   Music by Ethan Fein

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These Walls Are Alive
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These Walls Are Alive

…what it feels like to discover the past, to learn from the dead…

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Ellen C Kaye – Lead Vocal
Ethan Fein – Guitar, Five String Banjo
Diane Monroe – Violin
Koa Ho – Upright Bass
Zach Mullings – Drums
Jackie Presti – Backup Vocals

These ghosts say: 
I can’t save you now
But I can tell you how
How to live a life 
That’s brave and free

I can tell you what I cared about
I can tell you what I regret
I can tell you to remember me

Forget me not in the fog of war
Lost in memory
I’m all that’s left 
That’s left of time
My thoughts are the bones
I leave behind 

I feel it burning right through me 
The past is lighting my way 
Though all is dark around me 
This lantern guides my way 

The ghosts are talking right through me 
Their light shines across my mind 
Troubles and doubts pursue me 
But their wisdom fills my mind

These walls can talk 
These walls are alive 
These wall tell stories in their very bones
There’s things worth fighting for
Things worth dying for
All our loyal hearts are true

I hear their words ripping through me
Their thoughts are tumbling down
Ancient stories surround me
What’s lost can now be found

It’s the heart of things that matter
What’s buried deep and gone
The weight of time pulls on me
But dreams live on and on

These walls can talk
These walls are alive
These walls can tell us who and what survived
These walls can cast a brighter light
Burn bright all through the night
Burn until the day is new

Spinning straw into golden light
Burning bright all through the night
Burning bright till all our days are new

Lyrics – Ellen C Kaye
Music – Ethan Fein
Producers – Ellen C Kaye, Ethan Fein, Bill Moss, Alan Joseph
Recording engineer – Bill Moss
Copyright (c) 2023

© 2023 Ellen C Kaye and Ethan Fein. All rights reserved.

A Repair with Gold Production
Ghost Lineage

Lyrics by Ellen C Kaye    |     Music by Ethan Fein

The luminous, hot star Wolf-Rayet 124 (WR 124) is prominent at the center of the James Webb Space Telescope’s composite image combining near-infrared and mid-infrared wavelengths of light. The star displays the characteristic diffraction spikes of Webb’s Near-Infrared Camera (NIRCam), caused by the physical structure of the telescope itself. NIRCam effectively balances the brightness of the star with the fainter gas and dust surrounding it, while Webb’s Mid-Infrared Instrument (MIRI) reveals the nebula’s structure. Background stars and background galaxies populate the field of view and peek through the nebula of gas and dust that has been ejected from the aging massive star to span 10 light-years across space. A history of the star’s past episodes of mass can be read in the nebula’s structure. Rather than smooth shells, the nebula is formed from random, asymmetric ejections. Bright clumps of gas and dust appear like tadpoles swimming toward the star, with tails streaming out behind them, blown back by the stellar wind. This image combines various filters from both Webb imaging instruments, with the color red assigned to wavelengths of 4.44, 4.7, 12.8, and 18 microns (F444W, F470N, F1280W, F1800W), green to 2.1, 3.35, and 11.3 microns (F210M, F335M, F1130W), and blue to 0.9, 1.5, and 7.7 microns (F090W, F150W, F770W).
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Ghost Lineage
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Ghost Lineage

Terribly familiar and haunting all at once…

Click here to read more…

Ellen C Kaye – Lead Vocal
Ethan Fein – Guitar
Andrew Drelles – Bass Clarinet
Diane Monroe – Violin
Koa Ho – Upright Bass
Zach Mullings – Drums and Congas

We dangle on a thread 
Inside the galaxies mighty web 
And the ghosts of all that came before
Echo down the empty halls 
Of lost causes and ideals 
That were never
as real
as the stars we follow 

Distant thunder shakes the earth 
Telling tales we’ve never heard 
Ancient stories half forgotten
Back where dragons slumber 

Cave walls rock from side to side 
We hold them up to stay alive 
Time is shifting, ever drifting 
Keeping  us fate’s rider 

Running through our blood
Coursing through our brains
Setting our little worlds on fire 
The past is never past 
All that was still exists
From orange dust to ancient ashes
From Achilles to sea anemones

Black wings brush against our skin
Fires smolder deep within 
Paintings seeing far beyond us 
Capture what we’re dreaming 

 

All that we have ever known 
The double helix of our souls
‘Cross the earth, they leave us bread crumbs
Feed us while we’re sleeping

Running through our blood
Coursing through our brains 
Setting our little worlds on fire 
The past is never past 
All that was still exists
From orange dust to ancient ashes 
From Achilles to sea anemones 

Futures of the universe 
Faint and distant, close at hand 
Weightless, searching, endless seeking 
Oracles of starlight 

Star-stuff flows from sun to sun 
Shaping worlds we’ll never own 
Iron stars that dance within us
Dying in our making 

Running through our blood
Coursing through our brains
Setting our little worlds on fire 
The past is never past 
All that was still exists
From orange dust to ancient ashes
From Achilles to sea anemones

Golden rays 
Take us home
Take us home at last 

Lyrics – Ellen C Kaye
Music – Ethan Fein
Producers – Ellen C Kaye, Ethan Fein, Bill Moss, Alan Joseph
Recording engineer – Bill Moss
Copyright (c) 2023

© 2023 Ellen C Kaye and Ethan Fein. All rights reserved.

A Repair with Gold Production